SHORTS &
PERFORMANCES
Original Idea: Maria Solà
Clown: Maria Solà
Camera: Karina Tengberg
Scenography: Maria Solà
Director: Maria Solà
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After thatBRUNETTE BROS. CIRCUS: The greatest and second smallest circus in the world", an avant-garde clown and puppet show, dies collapsed by the pandemic. The context of 19 tons of post-apocalyptic circus scenery no longer exists. But one of the characters of this so peculiar group that toured Europe still survives. Maria Solà with her character "Will", proposes to explore the limits of her clown, through different audiovisual projects.
The intention is to rediscover the character through the image and generate new contexts. Apply cinematographic visual logic as a starting point for theatrical processes and connect disciplines.
The intention of this research is the preparation of material that will later be used for the dramaturgical assembly.
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SURVIVAL of the lost clown
Once the lost clown isleague in the museum, he still dreams of the life and camaraderie of the circus. But loneliness and work cover up the sadness of the vanished universe, and themisery follow to the point that he will be forced to make an auctionta in order to powersurvive.
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SURVIVAL of the lost clown
Once the lost clown isleague in the museum, he still dreams of the life and camaraderie of the circus. But loneliness and work cover up the sadness of the vanished universe, and themisery follow to the point that he will be forced to make an auctionta in order to powersurvive.
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MEMORIAL of the circus that once was
The Brunette Bros. Circus he died leaving behind an illusory myth of laughter and dust. One of the clowns of that peculiar gang, stubborn in the idea of saving the memory of the circus universe that was, decides to restore it to a different staging, a museum of curiosities, to resurrect the scenographies of that post-apocalyptic show .